Wednesday, May 15, 2013

A Degree in Heavy Metal


Today I read an article concerning New College in Nottingham, England and one of their academic programs. An article on "Ultimate Guitar.com" talked about the New College's latest degree, Heavy Metal. They say the degree will have its inception at the college this upcoming Fall school year. I delved a little into this topic, and I would like to provide what information I have found, as well as my thoughts on it.
As far as I know, this is pretty new for a college. I have never heard of a college having a degree for heavy metal, which to me, is a huge step in the genre as a whole as well as music. To obtain the degree it will take two years. The first year basically introduces heavy metal and all of its aspects. The classes go through the history of heavy metal, as well as their relations to religion and philosophy. The first year sound amazingly interesting to me. Regardless of whether it is analyzing the lyrics of a Black Sabbath song, or the background and meaning of a Metallica song, the first year sounds like a fantastic time. I feel that heavy metal was, and currently is, one of the most lyrically intense genres to date. They stray from extensively singing about love, or heart break or other topics that are popular in popular, rock n' roll, blues music etc. Instead, metal bands (I'm thinking old school 80's and 90's) chose to sing about religion or philosophy and other topics, which is what the course also covers. In the second year of the degree, the musicians write music together and are provided gigs to play and perform in. They tour Britain, a nation known for its music ever since the 60's, and basically play as many shows as they can.
I am having mixed feelings about this degree currently. Although I think it is a breakthrough in music and pushing boundaries, one can only wonder the credibility of this degree and how far it can take them. My position on music has always been use what you have, and get out there and do it. If you have a guitar or bass guitar, learn technique, rhythm, and most importantly, music theory. Music theory is the fiber that holds all the music together, and is the essential basis as to why music sounds like it does, and why some notes or chords sound good together and why others do not. It's as simple as that. If you are a drummer, practice drum rudiments, technique, learning how to utilize your kit of whatever size to its fullest potential. Singer? Practice how to harmonize and stay on pitch and try expanding your vocal range and try to project more. Whatever the instrument, one should practice it and practice and play with others and just get out there. Play crappy gigs at a club for five people, play your younger sister's sweet sixteen, play the benefit show for breast cancer. Get out there and take the opportunities that are just waiting to be taken. Save your lunch money to buy a better amplifier, or get a job to fund your band's demo along with the rest of the members. Make friends with other local bands to make playing shows all the more fun, hell book shows together if you want. Get out there.
I feel that a degree in heavy metal just prolongs that beautiful process. It does not matter if the degree is for heavy metal, folk music, country, rock n' roll, blues, jazz or whatever, I personally feel it restricts people. When I think of people going to college, I assume they are going to obtain a degree which will lead them to their career. How serious will a company or an employer take an applicant that has a heavy metal degree? Sadly, not very seriously. This is not to say the degree is useless, and one will never have a successful career in heavy metal, but it will not amaze other employers. I feel musicians should jam out, get together, work their asses off and get where they want to go through seizing opportunities and pushing themselves, just like anyone else would do for their dream job.
This is also not to say that nothing fruitful will come out of this venture. With all musicians, connections are important. They basically create the web of interaction that gets a musician on their feet and out there. In the video link provided at the bottom, Kurt mentions that he obtained a lot of connections through his time in Berklee, and how he still maintains contact with them to this day. Bands should run around selling their EP's and demos and get their name to record labels and get a manager. One can also put to test how much theory they know and utilize in creative manners with other musicians who are just as energetic and willing to make music. But if one is truly motivated to make it in the music business, they will find different chord progressions that make them stand out, different arpeggiations or different rhythms. They'll paint their musical canvases with deep intricate colors that paint a mellow picture or a somber scene or whatever they chose. These heavy metal musicians want to play some god damn heavy metal, and if that is what they truly want to do, they should get out there and do it. A two year course is not going to put them on the map, they won't start touring with huge heavy metal acts like Iron Maiden or Led Zeppelin, they'll tour with their 'classmates' and other heavy metal bands in Britain. Although they will make fantastic connections, they won't leave the college with a successful band and a career with a ten year contract and a four album record deal with hundreds of hours of studio time and sponsors. They'll end up with a piece of paper that says that obtained a two year degree in heavy metal. This degree is amazing, the breakthroughs in the education of heavy metal will be huge, but in the end, how much will it really help?

Thursday, May 9, 2013

Innovation


I wish I knew what happened to innovation in music. What happened to pushing the envelope and completely revolutionizing music like what Miles Davis or Jimi Hendrix or Randy Rhoads did during their time as musicians? They tried to advance musically and do things that other musicians weren't doing. Miles was so influenced by Jimi and what he was doing in music, that in his live album "Live-Evil", Miles used an electric trumpet and a wah-wah pedal. That's a god damn Jazz musician getting out of his comfort zone of Bebop and Cool Jazz and Hard Bop and trying to do something different, something that no one else is doing at that moment in time. When I listened to that record, I thought he was playing a guitar and it sounded amazing. Hell Jimi is still regarded as one of the best guitarists of his time and of all time because of what he did with guitar. Being a left player and mixing rhythm guitar playing with lead guitar playing was just so different for his time. Hearing Purple Haze, or All Along the Watchtower or Hey Joe just shows his abilities as a musician and how creative and innovative he could be. These musicians did not conform to the concept of making their music simple, they made it different, they made it technical and soulful. The second Hendrix bends a note or Davis starts to play a melody you can hear everything one has ever wanted to hear in music. One can hear emotions and thoughts, practically conversation in the music.
I feel like musicians nowadays do not try to be different. They might change a few things here or there, but there is nothing revolutionary or amazing about them. I mean bands like Muse and Lostprophets push the envelope with the creativity and ingenuity. Muse's guitarist Bellamy uses a Khaoss pad on his guitar to get different sounds, and the band as a whole are super creative and innovative in their music. No two albums of theirs sounds alike. They are always doing something different, something new, they are the Miles Davis of the modern era in rock/ progressive music. I may not be biggest fan of Muse vocally, but they are fantastic instrumentally. Bands like these guys just don't seem to exist nearly as much as they did during the 60's and 70's and 80's and 90's. I feel that more musicians are trying to just get famous and not try anything new or different that can redefine them as bands. They stick to the same power chords and root notes and trite solos and try to make a living off of it. 

Saturday, May 4, 2013

Soul of Music


One of the things I cannot stand is when people play music without any feel at all. Music is an art, and art is passion. I remember hearing an interview with Paul Gilbert, guitarist for Racer X, Mr. Big, and his own solo work, saying that he didn't really feel anything when he places some of the music he has written. As a fellow musician, I cannot understand that. I cannot understand how someone can write something and not feel anything. Not the beauty of the arpeggios, the gut wrenching tug of notes and tones tied together in harmony creating a beautiful melody, the anger in heavy palm muted down strokes etc. This is not to attack Gilbert in any way, I merely used him as an example, but I have heard other local musicians say that they too do not feel anything when they play their music. This is not to say that one should just not listen to musicians that do not 'feel' their music, but to me personally it adds more flavor and zest to it all. They don't have to get into like Steve Vai, Joe Satriani or even Daron Malakian from System of a Down and make faces and whatnot, but at least show you care about the music you made and enjoy it.